Leonard Cohen |
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Artist:
Leonard Cohen
Even the production, laden with synthesized strings and cooing female choruses, is wry on I'm Your Man, a definitive Leonard Cohen album. Though still touched with the tragic ("Take This Waltz," based on a Garcia Lorca poem), the album often achieves its high points by combining Cohen's world-weariness with black-humoured evocations of social and romantic ills and artistic quandaries. "I was born like this, I had no choice," the gravelly Cohen intimates at disc's end. "I was born with the gift of a golden voice." ---Rickey Wright
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List Price: £4.99
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Artist:
Leonard Cohen
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List Price: £5.99
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Artist:
Leonard Cohen
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List Price: £15.99
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Artist:
Leonard Cohen
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List Price: £8.99
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Artist:
Leonard Cohen
titolo-songs of love and hateartista-leonard cohen etichetta-columbian. dischi1data-15 novembre 2007supporto-cd audiogenere-pop e rock internazion
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Artist:
Leonard Cohen
The two-disc retrospective The Essential Leonard Cohen traces the Canadian bard's musical maturity from poet and novelist who sang a little, to multidimensional artist whose oracular vocals and increasingly rich arrangements are every bit as compelling as his verse. Even when Cohen came to prominence through the 1960s songcraft of "Suzanne" and "Bird on a Wire", the "folksinger" tag never really fit. Later highlights ranging from the deadpan drollery of "Tower of Song" and "Everybody Knows" to the apocalyptic anthemry of "First We Take Manhattan" and "Democracy" suggest that other labels might be more appropriate: cabaret surrealist, spiritual gadfly, sensual proph...
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Artist:
Leonard Cohen
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Rated: Exempt
Artist:
Leonard Cohen
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List Price: £19.99
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Artist:
Leonard Cohen
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List Price: £17.99
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Artist:
Leonard Cohen
For the nine years prior to the release of Ten New Songs the legendary songwriter Leonard Cohen was mostly in a Zen monastery, obsessively rewriting and polishing the oblique, lapidary lyrics for this austere collection. Ten New Songs is arguably Sharon Robinson's record as much as Cohen's--she co-wrote all the songs, plays most of the instruments (primarily a synth that seems to have freshly emerged from a chintzy 1984 power ballad) and accompanies Cohen's gloomy croak with her own crooning. This is the most subdued album Cohen's ever made, which is saying something. It's as if he no longer has time for anything in music or performance that could alter the ...
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